Muslim and Jewish community organisations in Britain say recent violence targeting Jewish residents in north London has reinforced the importance of long-term interfaith work, even as rising fear and tensions linked to the conflict in the Middle East make that work more difficult.

The latest concerns followed the alleged attempted murder of two Jewish men in Golders Green, an area of north London with a large Jewish population. Community leaders said the incident has deepened anxiety within British Jewish communities already facing heightened tensions since the October 7, 2023 attack on Israel and the subsequent war in Gaza.

Laura Marks, co-founder of Nisa-Nashim, a Jewish-Muslim women’s network established eight years ago, said repeated incidents of violence have left many community organisers emotionally exhausted.“I feel punch drunk,” Marks said. “Every day it feels like there is something else. It’s relentless.”

Nisa-Nashim was created to bring Jewish and Muslim women together through social gatherings, dialogue and community events aimed at reducing distrust and stereotypes between the two faith communities. The organisation’s founders said the goal was to strengthen local relationships that could withstand political tensions generated by international conflict.

Marks said incidents such as the Golders Green attack can feel discouraging for groups that have spent years working to improve community cohesion.“I do sometimes despair,” she said. “But if I don’t believe I can make things a bit better, then what am I doing?”She said the purpose of such organisations is not to address violent extremism directly, but to counter the wider social consequences of conflict, including fear, suspicion and growing separation between ordinary people.

“A lot of this work is not designed to address extreme radicalisation,” she said. “The aim is to help ordinary Jews and Muslims acknowledge their similarities as well as their differences, whether culture, history, scripture or food.”According to Marks, the conflict that followed the October 2023 Hamas attack on Israel made this work significantly harder.

As the humanitarian crisis in Gaza intensified and public debate in Britain became more polarised, support for interfaith initiatives weakened.She said some volunteers withdrew after experiencing online abuse or extremist threats, while others felt demoralised or faced pressure from family members who questioned participation in cross-community projects.

At present, she said, the immediate focus for many Jewish communities is physical security.“Right now, all people can hear is walls, police, security,” Marks said. “I understand that. It’s like a hierarchy of needs: if we are not safe, we can’t do anything else.”But she warned that permanent separation cannot be the long-term answer.“Long term, we can’t live behind walls,” she said.

“We have to build relationships.”Mohammed Amin, co-chair of the Muslim Jewish Forum of Greater Manchester, said he felt “horror and dismay” when he learned of the Golders Green attack. The forum, established more than two decades ago, brings Muslim and Jewish communities together through shared social events and dialogue.Amin said its work has produced practical improvements in local community relations by encouraging understanding and trust.

“People get to know each other,” he said. “We have seen real friendships emerge.”The group regularly organises visits, meals and cultural exchanges. Amin pointed to an upcoming visit to a kosher-halal fish and chip restaurant in Leeds, staffed by both Muslims and Jews, as an example of how ordinary social interaction can reduce suspicion and build familiarity.“You can’t change the course of international politics,” he said.

“But these things help change the atmosphere and defuse tension.”Amin, a businessman and former Conservative Party member who is now affiliated with the Liberal Democrats, said responsibility for improving cohesion cannot rest entirely with charities and volunteers. He argued political leadership is essential in shaping public attitudes.“Some politicians in our society trade on sowing division and resentment,” he said.

He cited comments made by Reform UK leader Nigel Farage following the Southport riots in 2024 as an example of rhetoric that can inflame tensions rather than reduce them.“If politicians are going to pour petrol on the flames, do not be surprised by the outcome,” Amin said.

Community organisations say funding for interfaith programmes remains limited despite growing concern over social division. Marks said government investment in cohesion work is often overlooked compared with visible security responses, despite its importance in preventing long-term fragmentation.“At the core of what we do is mixing people, bringing people together,” she said.

“This is social cohesion at the coalface.”She argued that while police protection and community security measures are necessary, they should not replace investment in trust-building between communities.Amin said tensions between Jewish and Muslim communities in Britain often rise and fall depending on developments in the Middle East, but local relationships can help reduce the impact of those external pressures.

For him, interfaith work is less about solving geopolitical conflict and more about preserving the everyday social fabric of British cities.“If you increase connectivity, you decrease hostility,” he said. “The key is to recognise we are all ordinary human beings.”

London — Street artist Banksy has confirmed that a newly installed sculpture in central London, depicting a man marching forward with his face entirely covered by a large flag, is his latest work, marking another rare public intervention by the elusive artist in the British capital.

The statue appeared overnight in Waterloo Place, Westminster, an area lined with official monuments and historic memorials near St James’s and close to government buildings and ceremonial landmarks. The work was first noticed on Wednesday, with Banksy’s signature scrawled at the base of the plinth, prompting immediate speculation over its authenticity.

Banksy confirmed authorship on Thursday through a post on Instagram, where he shared a video showing the sculpture being transported through London late at night before being installed at the site. The footage included images of nearby national symbols and landmarks, including the statue of former British Prime Minister Winston Churchill, British flags, a Beefeater guard and a traditional black cab, suggesting a deliberate visual dialogue between the new work and established representations of British identity and state symbolism.

The sculpture itself shows a male figure stepping forward from a plinth while holding a large billowing flag that covers his entire face. The concealment of the subject’s identity appears central to the composition, contrasting with the traditional commemorative statues surrounding it, many of which celebrate named military, royal and political figures.In the video posted by Banksy, a passerby is asked for his opinion of the statue and replies, “No, I don’t like it,” a brief exchange that adds to the artist’s longstanding use of public reaction as part of the presentation of his work.

The statue has been placed in Waterloo Place, near monuments to Edward VII, Florence Nightingale and the Crimean War Memorial, an area known for its formal statuary and ceremonial significance. Its location places it within one of London’s most symbolically charged public spaces, where imperial memory and national commemoration dominate the landscape.

Banksy, whose identity remains officially unconfirmed, is best known internationally for politically charged graffiti works that appear without warning in public spaces and often address war, migration, inequality, surveillance and state power. While murals and stencil works remain his most recognisable form, he has previously installed sculptural works in London.One of his best-known earlier sculptures, “The Drinker,” was installed on Shaftesbury Avenue in London’s West End in 2004.

The work was a satirical reinterpretation of Auguste Rodin’s “The Thinker,” showing the figure slumped with a traffic cone placed on its head. It was removed shortly after installation. In 2019, Sotheby’s withdrew the sculpture from auction following concerns over its ownership and removal history.Banksy’s most recent confirmed London work before the Waterloo Place statue was a mural unveiled in December showing two children lying on their backs and looking upward.

The mural appeared near Centre Point Tower and was widely interpreted as referencing homelessness, with the tower long associated with Britain’s housing inequality and homelessness debates. The children in the mural appeared to be pointing toward the building, linking the artwork to wider concerns over urban displacement and housing insecurity.

Another work appeared in September outside the Royal Courts of Justice, where Banksy created a mural showing a judge using a gavel to strike a protester lying defenseless on the ground. The image emerged during a period of heightened arrests linked to demonstrations involving signs associated with the proscribed activist group Palestine Action. The mural was later removed.

Court authorities said they were legally required to preserve the listed character of the building and could not retain the artwork permanently.The new Westminster sculpture arrives as public interest in Banksy’s identity has again intensified following a recent Reuters investigation that reported the artist was likely Robin Gunningham, a Bristol-born figure who has long been suspected of being Banksy.

Reuters said its findings aligned with a similar investigation first published by the Mail on Sunday in 2008.Gunningham has denied being Banksy. According to Reuters, Banksy’s lawyer, Mark Stephens, said the artist “does not accept that many of the details contained within your inquiry are correct” and stressed that anonymity remained essential because Banksy had been “subjected to fixated, threatening and inappropriate behaviour.”The preservation of anonymity has long been central to both the artist’s legal protection and public mythology.

Banksy’s work frequently appears without official permission and often challenges institutions of power, making anonymity both a practical necessity and a core part of the artistic identity itself.The new sculpture’s use of a face hidden behind a national flag may also reinforce that theme, placing concealment, identity and public symbolism at the centre of the work.

Unlike conventional monuments that celebrate recognisable individuals, the Waterloo Place installation removes personal identity altogether, replacing portraiture with obscurity.Its proximity to Churchill’s statue is particularly notable. Churchill remains one of Britain’s most politically contested historical figures, and monuments associated with imperial history and nationalism have been the subject of repeated public debate in recent years.

By placing a faceless flag-bearer within this landscape, the work appears to invite reflection on patriotism, public memory and the politics of visibility.No official statement has been issued by Westminster authorities regarding the installation or whether it will remain permanently in place. As with many Banksy works, questions over ownership, preservation and removal are likely to follow.

Public artworks by Banksy often trigger disputes between local councils, private property owners and cultural institutions over conservation and commercial value. Several murals have been removed for protection or sale, while others have been destroyed or painted over.

For now, the Waterloo Place statue remains in place, attracting visitors and photographers in one of London’s busiest ceremonial districts. Its sudden appearance, followed by Banksy’s confirmation, has once again turned a section of the capital into an open-air site of interpretation, where the meaning of the work is shaped as much by public debate as by the sculpture itself.

Speaking to reporters in London on Friday evening, Fidan said a multinational technical team was expected to oversee demining operations in the strait following any formal Iran-U.S. agreement, adding that Ankara viewed such participation positively as a humanitarian responsibility.

He said Türkiye would have “no problem” taking part in mine-clearing efforts if they were conducted under an internationally coordinated and neutral framework designed to ensure maritime safety rather than military advantage.

Fidan stressed that any operation would depend on the structure of the future coalition and the political conditions surrounding it.He cautioned that Ankara would reassess its position if any technical coalition involved in demining later became party to renewed military confrontation, indicating that Türkiye would avoid joining any mission that could compromise its diplomatic neutrality.

The Strait of Hormuz remains one of the world’s most sensitive maritime chokepoints, carrying roughly one-fifth of global oil shipments and serving as a critical route for energy exports from Gulf producers to international markets.

Tensions around the strait escalated sharply after the U.S.-Israeli strikes on Iran that began on Feb. 28, followed by Tehran’s retaliatory actions and effective restrictions on navigation through the narrow waterway, pushing global energy prices higher and raising fears of broader regional disruption.

Washington said last week it had begun demining work in coordination with Tehran, although Iranian officials have not publicly confirmed such cooperation.Several countries, including European naval powers, have since indicated readiness to contribute to a neutral maritime security mission aimed at restoring freedom of navigation and preventing further disruption to global shipping.

Germany has already announced plans to deploy a minesweeper to the Mediterranean in preparation for a possible Hormuz mission, while French and British defense officials have also signaled support for coordinated action.

Fidan also said he believed issues related to Iran’s nuclear program could be resolved during the next round of diplomatic talks expected to take place in Islamabad, where both Washington and Tehran are expected to send envoys.

Türkiye has sought to position itself as a balancing actor in the wider Middle East conflict, maintaining dialogue with both Western allies and regional powers while emphasizing de-escalation and diplomatic settlement over direct military involvement.

Its potential role in Hormuz demining reflects Ankara’s broader strategy of supporting regional stability without becoming directly entangled in confrontation.

A London-based performer known by the stage persona Midgitte Bardot is using drag, writing and live performance to examine social attitudes toward dwarfism, gender identity and public scrutiny, drawing on personal experience to inform their work on prominent cultural stages.

The artist, who identifies as a non-binary trans drag performer with dwarfism, has gained recognition for combining provocative performance with autobiographical storytelling.

Appearing in fishnets and theatrical costume as Midgitte Bardot, they have developed a reputation for performances that challenge audience expectations and address issues of identity, representation and social perception.

Their work gained wider attention through participation in Sound of the Underground, a queer cabaret revue created by Travis Alabanza. In one performance, the artist delivered a blues-rock number while elevated on stage equipment, incorporating visual and thematic elements that drew a strong audience response at the Royal Court Theatre.

The performer has since returned to the stage with a new production, Shooting From Below, presented at the Southbank Centre. The show marks their first major appearance following spinal surgery undertaken after a condition that risked paralysis.

According to the performer, spinal complications are relatively common among individuals with dwarfism, and their own condition involves curvature in the lower spine.

The production centres on a fictional narrative in which the stage character addresses an audience directly, framing the performance around themes of historical marginalisation and contemporary objectification.

The performer cites examples, including accounts of individuals with dwarfism being treated as novelty figures in social settings, to illustrate ongoing patterns of exclusion and commodification.In interviews, the artist has described frequent public interactions that they say reflect intrusive curiosity and harassment.

They report being stared at, filmed without consent and subjected to personal questions in public spaces, including inquiries about their body, family background and personal relationships. Such encounters, they say, occur regularly in everyday settings such as streets and public transport.

The performer notes that these experiences have shaped both their artistic direction and personal outlook. While they emphasise that such behaviour does not represent the majority of interactions, they argue that it reflects broader social attitudes toward visible difference.

They also describe concerns about being followed after initiating casual conversations in public, which they say has influenced how they navigate social situations.Their work engages with historical representations of dwarfism in entertainment, which they describe as marked by exploitation and limited roles.

They reference examples from film and popular culture in which individuals with dwarfism have been depicted as symbolic or comedic figures, often reinforcing stereotypes. According to the performer, opportunities in the arts sector can be accessible but frequently involve forms of representation that they consider reductive.

The performer also references historical accounts, including the case of a family of performers with dwarfism who survived detention during the Holocaust after being selected for medical experimentation by Nazi physician Joseph Mengele.

They cite this example to illustrate what they describe as a contradictory dynamic in which individuals with dwarfism have been both marginalised and subjected to intense scrutiny.Midgitte Bardot, as a stage persona, is intended to challenge these dynamics by reclaiming language and reframing identity through performance.

The artist says the name deliberately references a historically derogatory term, recontextualised to assert control over its meaning. Through humour and narrative, the performances incorporate personal experiences, including instances of rejection and discrimination, into structured theatrical material.

The artist describes their approach as rooted in self-acceptance and visibility. They say their earlier life was shaped by attempts to conform, but that their current work reflects a conscious decision to foreground difference as a central element of their identity.

They also link this perspective to their understanding of gender, noting that their experiences have informed their identification as non-binary.Born in Gloucester and raised in Cheltenham, the performer recalls early experiences of being perceived as different from peers, which led them to begin writing at a young age.

They continued to develop this practice academically, studying creative writing at Liverpool John Moores University, where they graduated with top honours.During their university years, they began participating in literary and performance events, including hosting open mic nights.

Their transition into drag performance followed encouragement from peers, including a fellow performer known as Auntie Climax. The Midgitte Bardot persona gained local recognition in Liverpool, leading the artist to relocate to London in 2021 to pursue broader opportunities within the performance circuit.

The performer says their understanding of gender identity evolved alongside their work in drag. They describe observing differences in how they and others were perceived in public, particularly in relation to attention and scrutiny, which contributed to their self-identification as non-binary trans.

They also emphasise the importance of directly addressing harassment, rather than ignoring it. According to the performer, confronting such behaviour can deter repeat incidents and challenge assumptions about vulnerability.

They argue that advising individuals with dwarfism to avoid confrontation may reinforce perceptions of weakness.Looking ahead, the performer says they hope their current production will resonate with other individuals with dwarfism and contribute to the development of a more supportive community.

They note that their experiences performing in major venues are often marked by isolation, as they are frequently the only person with their physical characteristics on stage.

Their work continues to explore how visibility, performance and narrative can be used to address social attitudes, with a focus on expanding representation and creating space for more diverse perspectives within the arts.

The London Fire Brigade said it deployed six fire engines and about 40 firefighters to the scene near a synagogue in Golders Green, where multiple cylinders inside the vehicles exploded, shattering windows in an adjacent apartment block.

The fire was brought under control by 0306 GMT.The ambulances were operated by Hatzola, a not-for-profit volunteer emergency response group serving the Jewish community.

Starmer called the incident “deeply shocking” and said antisemitism had no place in British society. Writing on X, he said his thoughts were with the Jewish community affected by the attack.

London Mayor Sadiq Khan also condemned the incident and said police patrols in the area would be increased.

The Metropolitan Police said officers remained at the scene and that the case was being treated as an antisemitic hate crime.

The SITE Intelligence Group reported that an Iran-aligned militant collective calling itself the Islamic Movement of the People of the Right Hand had claimed responsibility for the attack.

The group has allegedly been linked to similar arson incidents targeting Jewish sites in Belgium, Greece and the Netherlands, according to the same source.Mark Gardner, chief executive of the Community Security Trust, said the incident bore “an obvious parallel” to recent anti-Jewish arson attacks in cities including Liege, Rotterdam and Amsterdam.

Attacks on Jewish individuals and institutions have risen globally since the October 2023 Hamas attacks in Israel and the subsequent war in Gaza. British authorities have also reported a sustained increase in antisemitic incidents during this period.

Starmer said earlier this month that the government would work with both Muslim and Jewish organizations to ensure adequate security at sensitive locations, warning that broader regional conflicts, including tensions involving Iran, risk exacerbating domestic divisions.

Britain has seen several serious incidents in recent years, including a 2025 attack in Manchester in which two Jewish worshippers were killed during Yom Kippur.

Home Secretary Yvette Cooper revoked his travel permission after The Telegraph revealed his upcoming tour of London, Manchester, and Birmingham, titled “Waking the Dead – Returning from the Darkness.” The Home Office concluded his presence was “not conducive to the public good,” citing concerns over public safety and social cohesion.

“Sheikh Farooq will not be permitted to enter the UK,” a Home Office spokesperson confirmed. “Our priority remains maintaining the safety and security of the UK and our communities. We have robust safeguards in place to prevent entry of individuals who seek to sow hatred and division.”

Airlines have reportedly been instructed not to allow Sheikh Farooq to board flights to the UK.

Preacher Under Fire for Comments on Slavery and Women

Sheikh Farooq, who is based in San Diego and affiliated with the One Message Foundation, stirred widespread condemnation after a video surfaced in which he claimed that sexual relations with female slaves captured in war were permissible under Islamic law.

Explaining his view in the video, he said: “Those taken under war as captives… you’re now going to support and keep in your house… they are like a wife… if Allah made it halal, then it’s not sinning, that is not adultery.”

His comments have drawn sharp criticism from human rights advocates, secular organizations, and Muslim community leaders alike.

Fiyaz Mughal, founder of Faith Matters, condemned the preacher’s statements as “abhorrent,” adding, “Saying that sex with slaves is permissible sends a barbaric message to people. We’ve seen what groups like ISIS did to Yazidi women. Such views should not find a platform in the UK.”

Stephen Evans, chief executive of the National Secular Society, said: “Any charity hosting a speaker who condones sexual slavery should have its charitable status seriously reviewed. Promoting misogyny undermines public benefit and social harmony.”

Robert Jenrick, Shadow Justice Secretary, had earlier called on the government to prevent the preacher’s entry. “This man should never step foot on UK soil. His visa must be revoked immediately,” he stated. “Islamists spreading hate and sowing division are not welcome here.”

Sheikh Farooq previously toured parts of the UK last month, delivering lectures that also raised concerns. He has made remarks predicting the Islamization of Europe, the US, and Russia, saying, “The future is ours… every nightmare of a Muslim Europe will come true.” He urged Muslims to “never apologize” or “compromise” their faith.

In another appearance in Leicester, he made comments perceived as anti-Semitic, adding to the backlash.

Sheikh Farooq was set to appear alongside Ustadh Imran ibn Mansur, a social media figure who brands himself a Muslim entrepreneur. Mr. Mansur has shared videos advising Muslim women to create anonymous online content and has made controversial statements about women wearing perfume, calling them “fornicatresses.”

The UK government’s move reflects a broader effort to counter extremist ideologies, particularly those that incite hatred or undermine democratic values. The decision signals zero tolerance for individuals espousing regressive or inflammatory views, regardless of religious affiliation.

The ban underscores Britain’s commitment to ensuring that religious discourse does not become a platform for misogyny, antisemitism, or hate speech cloaked in theological justifications.

The attacker went on the rampage just before 2 p.m. (1400 GMT), targeting people at Fishmongers’ Hall near London Bridge in the heart of the city’s financial district – the scene of a deadly attack by Islamist militants two years ago.

The Times newspaper, citing unnamed government sources, reported that the man had previously been convicted of an Islamist terrorism-related offence and was released from prison about a year ago after agreeing to wear an electronic tag.

Prime Minister Boris Johnson said sentences should be served.

“It is a mistake to allow serious and violent criminals to come out of prison early, and it is very important that we get out of that habit and that we enforce the appropriate sentences for dangerous criminals, especially for terrorists,” he said.

Once the attacker was out on the street, a dramatic video posted on Twitter captured the moment when half a dozen bystanders tackled the suspect on London Bridge and grabbed his knife.

The video showed police dragging one man off the suspect before an officer took careful aim. Two shots rang out. The man stopped moving.

Johnson, who has called a snap election for Dec. 12 and is due to host NATO leaders including U.S. President Donald Trump next week, praised those who took on the man for their courage and said Britain would never be cowed.

“I … want to pay tribute to the extraordinary bravery of those members of the public who physically intervened to protect the lives of others,” Johnson told reporters in Downing Street.

“For me they represent the very best of our country and I thank them on behalf of all of our country,” Johnson said. “This country will never be cowed, or divided, or intimidated by this sort of attack.”

He said the incident was now thought to have been contained and vowed that anyone else involved would be hunted down. He later chaired a meeting of the government’s emergency security committee.

Britain’s top counter-terrorism officer, Neil Basu, said specialist armed officers from the City of London police shot the suspect, who died at the scene. He said a hoax explosive device was strapped to his body.

“Our Counter Terrorism detectives will be working round the clock to identify those who have lost their lives, to support all the victims and their families,” London police chief Cressida Dick told reporters.

“We are also working at full tilt to understand exactly what has happened and whether anyone else was involved.”

Labour Party leader Jeremy Corbyn, Johnson’s main opponent in the election, said he was shocked by the incident and that his thoughts were with those caught up in it.

Campaigning has been temporarily suspended. One of those who confronted the attacker there told the Daily Telegraph newspaper that he had kicked him in the head to make him drop the knife.

Stevie Hurst, who gives tours of the capital, said he and a colleague took on the suspect with about five others.

“I jumped in and kicked him in the head to make him release his knife. A few others did so,” he told the Telegraph. “He was shouting ‘get off me, get off me’.”

As three armed police officers circled the suspect in the shadow of the Shard skyscraper, western Europe’s tallest building, one bystander in a suit and tie grabbed the knife and swiftly retreated as police engaged.

The city’s mayor Sadiq Khan said ordinary Londoners had demonstrated “breath-taking heroism” in disarming the knife-wielding attacker despite him having a device which they did not know to be a hoax.

“What’s remarkable about the images we’ve seen is the breath-taking heroism of members of the public who literally ran towards danger not knowing what confronted them,” Khan told reporters.

The ambulance service declared a “major incident” in the area and London Bridge station, a busy commuter hub, was closed for a number of hours.