Trump said the operation was conducted by the US Southern Command and coordinated with Venezuelan authorities. Pentagon chief Pete Hegseth said the strike took place earlier in the week and confirmed Guerrero was killed.

Venezuela’s information ministry said the operation involved clashes with criminal groups and that Guerrero was neutralized, adding that the action involved intelligence-sharing and specialized technological support.

The Trump administration has previously sanctioned Guerrero and other Tren de Aragua leaders over alleged involvement in drug trafficking, human smuggling and money laundering. Washington has designated Tren de Aragua as a foreign terrorist organization.

Trump has accused the group of coordinating activities in the United States with Venezuela’s government, a claim his administration has cited in support of deportation measures targeting some migrants.

Tren de Aragua emerged from Venezuela’s Tocorón prison and expanded across parts of Latin America. Authorities have linked the group to crimes including extortion, kidnapping, human trafficking, money laundering and organized criminal activity.

Guerrero escaped from Tocorón prison in 2023 shortly before a police operation against the facility, according to authorities.

Chinese Foreign Minister Wang Yi told Cuban counterpart Bruno Rodriguez Parrilla during talks in New York that Beijing would support Cuba’s sovereignty and economic development, according to Chinese state media. Wang said China opposed “all forms of power politics and bullying,” in remarks widely seen as directed at Washington.

The comments come as the Trump administration intensifies pressure on Cuba through sanctions, legal action and restrictions on Venezuelan oil shipments to the island. Washington last week indicted former Cuban president Raul Castro over the 1996 downing of two civilian U.S. aircraft, a move condemned by Beijing.

China has expanded economic support for Cuba in recent months, including rice shipments and agricultural cooperation agreements, as Havana struggles with fuel shortages and economic strain linked to U.S. sanctions.

Venezuelan photographer Silvana Trevale has released a photography book focused on the lives and identities of young people in Venezuela, presenting an alternative visual narrative to the country’s prolonged political and economic crisis.

The book, titled Venezuelan Youth, compiles photographs produced between 2016 and 2025 and has been published by guesteditions. The project documents children and adolescents across Venezuela through portraits, street photography and collaborative visual work intended to reflect social resilience, cultural continuity and everyday life.

Trevale said the project emerged from a personal effort to reconnect with her country after leaving Venezuela during a period of deepening instability. According to the photographer, repeated visits back to Venezuela over several years shaped both the emotional and artistic direction of the work.

The photographer said she wanted to move beyond images that focus exclusively on violence, economic hardship or institutional collapse, while still acknowledging the realities affecting Venezuelan society. “Photojournalism is important but I also wanted to break away from any harsh kind of imagery, without dismissing the problems,” Trevale said.

The GuardianHer comments reflect broader debates within documentary photography over the representation of countries facing prolonged crises. Venezuela has experienced years of economic contraction, shortages of food and medicine, mass migration and political instability. International coverage has often centered on humanitarian conditions and political conflict.

Trevale said her project aimed to document experiences that exist alongside those conditions, particularly among younger Venezuelans. She said the work focused on personal interactions and everyday encounters with children and adolescents, as well as visual expressions of local traditions and community life.“Our identity isn’t only defined by the crisis,” Trevale said. “All of us, whether we stayed or left, are marked by the crisis. It’s part of who we are, especially for my generation, who grew up with it.”

The GuardianAccording to publication materials released by Guest Editions, the book was conceived as a response to portrayals of Venezuela that emphasize collapse while overlooking the persistence of social and cultural life. The publisher described the work as an attempt to document “the complexities of Venezuelan identity as seen through the eyes of its youth.”

The volume contains 176 pages, including 93 colour plates, and was designed by Ricardo Báez. It was published in hardcover format in May 2026. Guest Editions +2Trevale said the project evolved gradually over nearly a decade. In its early stages, she said she did not actively pursue specific images, instead allowing encounters and situations to develop organically during her visits to coastal areas and urban neighbourhoods.

One image that became central to the project depicts two boys walking through a forest populated by vultures near Playa Medina in Venezuela. Trevale described the photograph as an attempt to capture “something between this harsh reality and a feeling of innocence”. She said the image helped shape the broader direction of the project over the following years.

As the project expanded, Trevale said she began collaborating with Venezuelan creative professionals interested in preserving aspects of national identity through visual culture. Fashion, music and traditional dance became recurring elements in the work.Among the traditions documented in the book is the Joropo, a musical and dance form widely associated with Venezuelan cultural heritage.

Trevale said she viewed the inclusion of such material as part of a wider effort to record traditions she believes risk being overlooked or diminished amid the country’s continuing upheaval. The project also includes portraits linked to Venezuela’s youth music programmes. Trevale recounted photographing a young trumpet player named Roberta during a Vogue Latin America assignment in Caracas.

According to Trevale, the girl participated in “El Sistema”, Venezuela’s internationally known youth orchestra initiative. Founded in 1975, El Sistema developed into one of Venezuela’s most prominent cultural institutions, using music education and orchestral training as a social development programme for children and adolescents.

The initiative later gained international recognition through conductors and musicians including Gustavo Dudamel. BooksTrevale said her work sought to balance documentation of hardship with depictions of dignity, connection and continuity. She described the project as shaped by both personal loss and long-term attachment to Venezuela.“I am hoping the book brings that back to young people, to remind them that we’re strong and resilient, and to celebrate our traditions and our people,” she said.

“I never want to forget where I come from — and this book is my love letter to Venezuela.” The release of Venezuelan Youth comes amid continuing international attention on Venezuela’s political and economic trajectory, as well as ongoing migration from the country.

Cultural producers and publishers inside and outside Venezuela have increasingly used books, exhibitions and digital media projects to document social experiences beyond conventional political reporting.The book is currently being distributed internationally through Guest Editions and other booksellers.

Speaking in Panama City alongside fellow Venezuelan opposition figures, Machado said the opposition remained focused on securing free and fair elections in which Venezuelans both inside and outside the country could participate.

Her comments come more than four months after a major shift in United States policy toward Venezuela, when the administration of Donald Trump moved away from supporting Machado and instead engaged with figures linked to Venezuela’s ruling establishment following the capture of then-president Nicolás Maduro by U.S. forces, according to the source material.

Machado has lived in exile since December after emerging from nearly a year in hiding inside Venezuela and traveling to Norway, where she received the Nobel Peace Prize. She said she hopes to return to her country before the end of next year.

The opposition leader stressed that any credible presidential election would require significant institutional reforms, including the appointment of politically neutral electoral authorities, updated voter registration systems and guarantees allowing opposition candidates to compete without state interference.

According to Machado, organizing a democratic presidential election under such conditions would require between seven and nine months of preparation.

The political timetable remains unclear. Venezuela’s constitution requires a presidential election within 30 days if a president becomes permanently unable to serve, but U.S. officials have recently downplayed expectations for an imminent vote while expressing support for acting president Delcy Rodríguez, whose government has expanded access for American investment in Venezuela’s oil sector amid elevated global energy prices.

Machado emerged as Maduro’s most prominent challenger in recent years but was barred by authorities from contesting the 2024 presidential election. In response, she endorsed former diplomat Edmundo González Urrutia as the opposition’s candidate.

Following that election, authorities aligned with the ruling party declared Maduro the winner shortly after polls closed. However, Machado’s campaign maintained that collected voting records showed González had won by a margin exceeding two-to-one.

Asked about a future presidential contest, Machado said she welcomed competition within the opposition and would be prepared to face any rival in what she described as a transparent and legitimate election.

“I will be a candidate, but there may be others, of course,” Machado told reporters. “I would love to compete with everyone, with anyone who wants to be a candidate.”

National Assembly chief Jorge Rodriguez said on Tuesday that approximately 300 prisoners would be freed between Monday and Friday, including minors, elderly detainees and individuals suffering from medical conditions.

“Between yesterday and this Friday, 300 people will be released,” Rodriguez said, adding that some detainees had been convicted of criminal offenses while others qualified for humanitarian relief measures.
The releases form part of a broader amnesty law adopted in February, one of the most significant political reforms enacted since Rodriguez assumed interim leadership under mounting international and domestic pressure.

Venezuela has already released hundreds of detainees since US forces captured Maduro during a raid in Caracas on Jan. 3, an operation that dramatically altered the country’s political landscape.
Among those freed this week were three former police officers imprisoned since 2003 for their alleged involvement in the brief 2002 overthrow attempt against former president Hugo Chavez.

Rights organization Foro Penal said the officers “never should have been behind bars,” while also reporting that nearly 800 detainees had been released since January, including 186 under the formal amnesty framework.

The interior ministry has presented higher figures, stating that more than 8,000 individuals have benefited from the initiative through prison releases, parole measures and other legal mechanisms.
Rodriguez said authorities were extending relief measures beyond the requirements of the amnesty legislation.

“We are going beyond the amnesty law by carrying out a process of granting benefits to these people,” he said.

Human rights groups continue to raise concerns about detention conditions and political repression in Venezuela. Foro Penal says more than 400 political prisoners remain incarcerated.

The latest releases came days after interim authorities ordered an investigation into the death in custody of political detainee Victor Hugo Quero Navas, whose case renewed scrutiny of Venezuela’s prison system.
According to Foro Penal, around 20 political prisoners have died in Venezuelan custody since 2014.

Former detainee Erasmo Bolivar, one of the released police officers, urged families of prisoners still in detention to remain hopeful.

“Stay strong, it is possible,” he said in a video released after leaving prison following more than two decades in custody.

Venezuela’s immigration authority said in a brief statement that Saab’s deportation was linked to ongoing criminal investigations in the United States, although officials did not explicitly confirm his destination. The statement referred to Saab solely as a Colombian citizen, an apparent acknowledgment of Venezuelan constitutional restrictions prohibiting the extradition of Venezuelan nationals.

Saab, 54, was previously released and returned to Venezuela in 2023 after former U.S. President Joe Biden granted him clemency as part of a prisoner exchange between Washington and Caracas.The businessman had long been regarded by U.S. authorities as a key financial operator for Maduro’s government, helping manage overseas commercial networks and sanctions-sensitive transactions.

Maduro’s administration had described Saab as a diplomat carrying out humanitarian missions when he was detained during a 2020 refueling stop in Cape Verde while traveling to Iran.The latest move follows major political upheaval in Venezuela after Maduro’s removal from power earlier this year and the emergence of acting President Delcy Rodriguez as the country’s interim leader.

According to reports, Rodríguez removed Saab from his government positions after assuming office on Jan. 3, stripping him of influence over foreign investment channels tied to the Venezuelan state. Unconfirmed reports in recent months suggested Saab had been under detention or restricted movement inside Venezuela.

The Associated Press reported in February that U.S. federal prosecutors had intensified scrutiny of Saab’s alleged role in a bribery scheme linked to Venezuelan food import contracts under the government’s CLAP distribution program.The investigation reportedly stems from a 2021 U.S. Justice Department case involving Saab associate Alvaro Pulido.

Prosecutors in Miami have examined allegations surrounding contracts tied to the CLAP system, which was created to distribute subsidized food staples to Venezuelans during years of economic collapse, hyperinflation and shortages.

U.S. authorities have alleged that Saab accumulated substantial wealth through government-linked contracts and opaque financial arrangements connected to Venezuela’s state apparatus.The U.S. Justice Department did not immediately comment on Saturday’s deportation announcement.

Venezuelan-Canadian director Jorge Thielen Armand and Italian actor Asia Argento are using surrealist psychological thriller Death Has No Master to examine questions of ownership, historical violence and inherited trauma against the backdrop of contemporary Venezuela.

Premiering in the Directors’ Fortnight section at Cannes, the film follows Caro, an Italian-Venezuelan woman played by Argento, who returns to Venezuela to reclaim a plantation inherited from her late father. The property remains occupied by caretakers who have continued living on the land, setting up a broader conflict over legitimacy, colonial legacy and power.

“The film has multiple layers of meaning,” Armand said ahead of the premiere. “Recent events only make those multitudes greater.”Armand said the project has taken on additional political resonance following recent developments in Venezuela and increased international involvement in the country.

The director referenced the deployment of US warships near Venezuela in August last year, officially linked by Washington to anti-narcotics operations, as filming began on the project.

He also referred to the arrest of Venezuelan President Nicolás Maduro by US authorities earlier this year amid longstanding allegations of corruption and human rights abuses against his administration.

“It’s very worrisome, what’s happening,” Armand said. “I think that the movie can speak to the collective darkness that Venezuelans feel, and the betrayal of domestic and international systems.”

The film revisits themes Armand previously explored in La Soledad, his 2016 feature debut set during Venezuela’s economic collapse. That earlier project blurred documentary and fiction while focusing on residents occupying a deteriorating mansion formerly owned by Armand’s family.

In Death Has No Master, Armand shifts perspective toward the descendants of property owners returning to spaces shaped by abandonment, displacement and class divisions. The story was partly inspired by recurring dreams the director experienced involving dark buildings, fragmented memories and disorientation.

“When I wake up, I think of home and everything I left behind,” Armand said. “So the film is that nightmare of going back, finding that the people and things you left behind are no longer there.”

The film places colonial imagery alongside modern industrial symbols. Cacao plantations and oil refineries operate as recurring visual motifs, linking Venezuela’s colonial history with contemporary struggles over resources and political control.

Argento described the filming process as emotionally consuming, saying she isolated herself in shooting locations to better inhabit the character’s psychological state.

“I drove myself pretty much insane,” she said. “And I had a lot of fear; something primal; something unspeakable that I think my character felt in going back there.”Argento said Caro’s memories of her abusive father intersected with aspects of her own personal history.

She is the daughter of Italian filmmaker Dario Argento and actor-screenwriter Daria Nicolodi, collaborators behind the influential horror film Suspiria.While Argento declined to detail specific parallels, she said the project resonated with her understanding of family inheritance and emotional trauma.

“It’s dealing with my own nightmares, and my own childhood, and the way I was brought up, and my own blood, and my inheritance,” she said.Argento also noted stylistic similarities between Death Has No Master and the Italian psychological thrillers associated with her parents’ generation of cinema, particularly the visual techniques of 1970s giallo films.

“This is like a serious Italian psychological thriller from the 70s, with the zooms and the way it’s shot,” she said after watching the completed film.

The central conflict of the story unfolds between Caro and Sonia, an Afro-Venezuelan caretaker played by Dogreika Tovar, who lives on the plantation with her son and asserts her own claim to the land.

A third figure, Johnny, an Indigenous associate connected to Caro’s father, further complicates the question of legitimacy.Armand said the film intentionally avoids presenting a clear moral hierarchy among its characters.

“I wanted to make something where nobody is a victim, per se,” he said.

According to the director, the conflict reflects overlapping systems of legality, morality and historical entitlement shaped by colonialism and economic power.

“There’s a legal, moral and historical conflict,” Armand said. “But these are notions that we’ve conceived as a society. In the end, land isn’t owned, ever. It’s just controlled by the use of force. It’s occupied until it’s not.”

Rubio, traveling with President Donald Trump during a visit to China, said Cuba’s deepening economic turmoil stemmed from structural failures and corruption rather than US sanctions, which Havana has long blamed for shortages and financial distress.“It’s a broken, nonfunctional economy, and it’s impossible to change it,” Rubio told Fox News aboard Air Force One.

“I don’t think we’re going to be able to change the trajectory of Cuba as long as these people are in charge in that regime.”Cuba has been grappling with severe economic disruption and energy shortages, with authorities reporting that around 65% of the island experienced electricity blackouts on Tuesday.

The US State Department publicly renewed the $100 million assistance proposal, saying the package would include humanitarian support and funding aimed at expanding “fast and free” Internet access across the island.

“The regime refuses to allow the United States to provide this assistance to the Cuban people,” the department said in a statement, adding that Cuban authorities would be accountable if they rejected “critical life-saving aid.”Washington last week imposed new sanctions targeting key entities within Cuba’s state-controlled economy and foreign partners linked to the sector.

Trump has recently intensified pressure on leftist governments in Latin America and has suggested Cuba could become a future target of broader US strategic efforts after the removal of Venezuelan leader Nicolas Maduro earlier this year.

Cuban authorities rejected Rubio’s characterization of the crisis and blamed US restrictions for worsening fuel shortages and economic instability.President Miguel Díaz-Canel said the worsening conditions were caused by what he described as a US “energy blockade,” accusing Washington of threatening countries supplying fuel to Cuba with punitive tariffs.

Foreign Minister Bruno Rodríguez Parrilla dismissed Rubio’s claims that Havana had rejected the aid proposal, calling the assertion “a lie” and questioning whether the offer was intended to undermine Cuban sovereignty.

Cuba has witnessed a series of small but increasingly visible protests in recent months as residents face prolonged blackouts, fuel shortages and rising economic hardship.

Witnesses told AFP that demonstrators in parts of Havana banged pots and pans and demanded electricity be restored following new power outages.Cuba’s fuel imports have sharply declined since the United States moved earlier this year against Venezuela’s leadership, reducing energy support from Caracas.

Since then, only one Russian oil tanker has reportedly reached the island.The Trump administration previously provided $6 million in humanitarian aid to Cuba through Catholic Church-linked charities, which have historically acted as intermediaries between Washington and Havana.

Speaking in an interview on NBC’s Meet the Press, Díaz-Canel said an invasion or targeted operation against Cuba would come at a high cost and trigger a strong defensive response from the island’s population.

He added that Cubans would be prepared to fight if necessary.His remarks come amid heightened tensions with United States under President Donald Trump, despite both sides acknowledging ongoing contacts aimed at addressing bilateral disputes.

Díaz-Canel accused Washington of pursuing a “hostile policy” toward Cuba and said the United States had “no moral” authority to demand political changes from Havana, while reiterating Cuba’s willingness to engage in dialogue without preconditions.

The Cuban leader linked the island’s worsening economic conditions to U.S. measures, including restrictions that have disrupted energy supplies and exacerbated shortages affecting transport, healthcare and industrial output.

Cuba produces roughly 40 percent of its fuel needs and has faced acute shortages following disruptions to oil shipments, including from Venezuela earlier this year, contributing to a deepening energy crisis.

Díaz-Canel said recent statements from Trump, including suggestions that Cuba could be targeted next, were taken by Havana as a warning, reinforcing the government’s focus on safeguarding national sovereignty and stability.

The move, reflected in an update by the Office of Foreign Assets Control, effectively removes restrictions that had limited Rodríguez’s ability to engage with U.S. companies and investors, and underscores Washington’s recognition of her as a legitimate governing authority.

Rodríguez said the decision could open a path toward improved bilateral relations. In a statement posted on her Telegram channel, she described the move as a step toward “normalizing and strengthening relations” and expressed hope that broader sanctions on Venezuela would eventually be lifted to enable deeper cooperation.

The policy change follows the Jan. 3 capture of Maduro and his wife in Caracas by U.S. forces. Both were transferred to New York to face drug trafficking charges and have pleaded not guilty.

Their detention prompted a political transition in which Venezuela’s ruling-party-aligned Supreme Court declared Maduro’s absence temporary and installed Rodríguez as acting president.

Rodríguez, who had previously been sanctioned by Washington during Donald Trump’s first administration, was among senior Venezuelan officials targeted in 2018 for their alleged role in undermining democratic processes after a widely disputed election. Her brother, Jorge Rodríguez, and other members of Maduro’s inner circle were also designated at the time.

Despite those earlier measures, the current administration has opted to engage directly with Rodríguez following Maduro’s removal. U.S. officials have backed her role in implementing a phased plan to stabilize the country’s political and economic system, including outreach to foreign investors and commitments to increased transparency and international arbitration.

The administration has also taken broader steps to ease restrictions on Venezuela’s economy. In March, the Treasury authorized state oil company Petróleos de Venezuela S.A. to resume direct sales to U.S. buyers and access global markets, reversing years of tight sanctions on the country’s energy sector.

In parallel, U.S. authorities have formally recognized Rodríguez as the sole head of state in an ongoing civil case in federal court, further consolidating her standing in Washington’s policy framework.Maduro, however, remains Venezuela’s legal president under the country’s institutional structure.

The Supreme Court’s ruling allows Rodríguez to govern for an initial 90-day period, which is set to expire Friday, with a possible extension to six months subject to approval by the National Assembly, which is controlled by the ruling party and led by her brother.

The developments highlight an evolving U.S. approach toward Venezuela, balancing legal proceedings against Maduro with pragmatic engagement aimed at restoring economic activity and political stability in the oil-rich nation.